a studio
shaped by architecture

fenda studio is an independent jewellery studio founded in sydney in 2020, now based in haarlem, the netherlands. our work moves between architecture, sculpture and the body, exploring how objects occupy space, relate to the wearer and become part of everyday life.

two disciplines, one studio.

fenda was founded by bruno candido and leandro riccioppo, bringing different perspectives into a shared approach to jewellery.

bruno's background in architecture, fine arts and silversmithing shapes the studio's design language and approach to making. leandro's background in gemmology and business brings a different perspective, connecting the character of each stone with the people and relationships behind the work.

together, they shape the direction of the studio, from the first idea to the finished object.

in portuguese, fenda means an opening, a gap, a space between forms. the name reflects a recurring interest in the studio's work: what happens between objects can be as significant as the objects themselves.

from first line to final polish

pencil studies for a fenda design on tracing paper, beside architecture books on the studio table
close view of the pencil studies, showing the curved forms being worked out

a drawing is a proposition, not a conclusion.

proportions shift, structures are questioned, and sometimes the smallest adjustment changes the entire object. the work moves between paper, material and the bench until nothing feels unresolved.

the hand remains part of the thinking, not simply the execution.

a finished fenda ring in brushed white metal, its curved form rising from the band

material part of the architecture

a jeweller at the bench, working under a microscope
a ring of green stones held between the fingers as each stone is set by hand
the workshop bench, with tools and microscopes beneath a row of windows

material is never simply a finish. its weight, resistance and response to light influence the structure of each piece. these qualities are considered from the beginning, allowing material to become part of the design rather than something applied at the end.